Threaded Quilting Studio

log cabin

Sew Mojo Series #2

Jessie ZeiglerComment

I had the opportunity to test the latest pattern in the Sew Mojo series (#2) this last week. Thanks Suzy! If you haven't already, go check out the pattern listing that shows multiple variations and colorways of this pattern.

I have the wall space in my house already picked out to hang this series when complete, and I knew I wanted to use the same color palette for the second mini as I did the first. In fact, I used many of the same exact fabrics which should make for a very cohesive look in the end.

The emphasis is on composition in this second pattern exercise. Having next to no art training, I appreciated this mini lesson as it applies to quilting.

The pattern builds on the skills exercised in the first mini lesson and adds a healthy dose of intentionality without being oppressive in the slightest. In fact, I love how the pattern uses some guidelines but then encourages you to follow your creative impulses. (Which I was happy to do!)

Part of that creative impulse was to echo a design element of the first mini (above, left) in the second mini (above, right). Whereas the shorter wonky strips were going vertically along the side of the first mini, I wanted to play off of that idea and add wonky strips going across the top of the second mini.

Ultimately, I wanted the focus of the piece to remain with the orange center square, so in order to minimize the boldness of the strips along the top, I added matchstick quilting to those areas to unify that space and to downplay it.


Once again, it brought me so much JOY to add some hand stitched lines to the mini quilt. Is embroido-quilting a thing? Because the thread is going through the top and batting (no backing necessary if displaying in a frame), it's "quilting". But since I'm also stitching with 3-ply embroidery floss and hunting and pecking my way around, it's kind of like embroidery, too. I'm good with the name-combo in any event. :)

In the areas where I added hand quilting, I marked my lines using a very faint white marking pencil by Sewline. I have an ever-growing list of tools that I use and personally vouch for, you'll find the details of the marking pencil included.

In keeping with the style of the first mini, I used machine quilted lines in the "background" areas and hand stitching in the foreground fabrics.

What can I say? Always perfectly imperfect!

sunshine + quilts = cat magnet

I hope that you'll give Sew Mojo #2 a try! It's an absolute blast to work out your creativity muscles, learn a new approach to design, and have a finished piece of art in the end!


Jessie ZeiglerComment

Part of me is thinking, "You're not really going to go through your quilt pictures and blog about them one at a time, are you?"  The answer is: I'm not sure.  Maybe?


What's this? Another log cabin quilt thanks to Eleanor Burns's Quilt in a Day book?  Guilty!  Why mess with a good thing?

This was made for a childhood friend of mine who was having her first baby - a girl.  And our school colors were purple and gold - did I really purposefully choose our school colors?  I honestly don't remember.  It's a good combo, nonetheless. 


Another thing I keep saying to myself: "Bless your heart, Jess".  I don't know if that translates well, but I'm so proud of my beginner self trying new techniques, even if they aren't executed that well.

Maybe you can see from the photo above, I both tied and machine quilted this baby quilt.  I had a little pucker in the machine quilting, but I wasn't too worried about it. :) I also see that I did a binding instead of turning it like a pillowcase.  Again: points for trying, young one.


I totally remember being thrilled with finding the most appropriate, fitting backing fabric.

Baby quilts are my favorite thing to make.  It's because of the size mostly.  Being able to try out a new idea on a smaller scale without the same time/resource investment as a full size quilt.  But still the act of giving a gift for a new life - it just doesn't get better in my opinion. 

Inspiration for quiltmaking

Jessie Zeigler2 Comments

My paternal great-grandmother was a quilter.  I still have faint memories from my very early childhood of visiting her house and seeing a big, wooden quilt frame set up in her living room for hand quilting.

Great Grandma Estelle made my sister, brother and myself quilts from fabrics we definitely recognized - they were also used by my mom in making clothes for us.  Because of these warm memories, I've always had a fondness for quilts.  My Grandpa Bob made me a hanging quilt rack for my bedroom and I loved it - I probably asked for it in the first place. :)  I remember displaying my quilt that had come from Grandma Estelle and being proud of it.

Flash forward several years to when my husband and I were newly married.  My sister Emily  made a quilt for us.  She is a couple of years younger than me and I was 22 at the time.  Emily knew how to make a quilt because our small, rural high school had offered a class in quiltmaking.  It wasn't available when I was a student, but there was enough interest in Emily's class to have it be a home ec option.  I believe it was called Independent Quilting. Now that I look back on it, I think it's pretty incredible that our school offered that class!  It really changed the course of my life if I'm being honest, and I didn't even take the class.

Present-day quilt, wrinkles and all.  To say this quilt is loved is an understatement.  It's been loved to death - this is its best side.  I've had it folded  next to my couch for several months now with the hopes of restoring it - patching the rips and tears it's sustained over the last twelve years and then quilting it.

Present-day quilt, wrinkles and all.  To say this quilt is loved is an understatement.  It's been loved to death - this is its best side.  I've had it folded  next to my couch for several months now with the hopes of restoring it - patching the rips and tears it's sustained over the last twelve years and then quilting it.

My sister gifting us this quilt introduced the possibility that I could also make quilts.  Emily helped me with shopping to get my initial quilting supplies and when I was ready to start my own quilt project we sewed blocks together, going through Eleanor Burns's Log Cabin Quilt in a Day book.  It was the same book she followed in making the quilt above for us.

Her gift opened a door for me that I've never cared to close.  It ignited this inspiration and passion that is still going strong ten years later.

Thank you, Emily!